<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3498416690746050101</id><updated>2012-02-16T05:24:50.809-08:00</updated><category term='Egberto Gosmonti'/><category term='David Darling'/><category term='Vassilis Tsabropoulos'/><category term='Keith Jarrett'/><category term='Tigran Mansurian'/><category term='Arvo Pärt'/><category term='Giya Kancheli'/><category term='Alexei Lubimov'/><category term='Jan Garbarek'/><category term='András Schiff'/><category term='Steve Kuhn'/><category term='Leos Janáček'/><title type='text'>Après the storm</title><subtitle type='html'>"My work of silence, my mute creation..." - Joseph Brodsky</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://apresthestorm.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://apresthestorm.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>EverlastJazz</name><uri>http://www.blogger.com/profile/10400010088615306012</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_Hx6eUMWXMNc/S_cjCJGZJFI/AAAAAAAAA0s/rbw4SsSkoNg/S220/DSC01785.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>11</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3498416690746050101.post-3112249035643169232</id><published>2009-07-08T10:39:00.000-07:00</published><updated>2009-07-08T20:34:11.672-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Egberto Gosmonti'/><title type='text'>Egberto Gismonti - Saudações</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_Hx6eUMWXMNc/SlTaRXkgoKI/AAAAAAAAAwM/Ipq_kZYK_k4/s1600-h/gismonti.jpg"&gt;&lt;img style="cursor: pointer; width: 400px; height: 400px;" src="http://4.bp.blogspot.com/_Hx6eUMWXMNc/SlTaRXkgoKI/AAAAAAAAAwM/Ipq_kZYK_k4/s400/gismonti.jpg" alt="" id="BLOGGER_PHOTO_ID_5356145848770142370" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MP3 320 kbps / 2 CD / 270 MB / Scans&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Egberto Gismonti’s first new ECM recording in 14 years is a double-album that indicates the range of his artistry. Disc one features Gismonti the composer on a 70-minute journey through Brazil: “Sertões Veredas – tribute to miscegenation”. It is a work that takes account of Brazil’s culture and history, landscapes and cityscapes, vividly evoked by Cuba’s all-women orchestra the Camerta Romeu, under the leadership of Zenaida Romeu. Disc two features Gismonti the guitarist in an exciting duo recital with his similarly-gifted son Alexandre, romping through a programme that includes such well-known pieces as “Zig Zag”, “Lundú” and “Dança dos Escravos”. (ECM Records)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Camerata Romeu&lt;br /&gt;Zenaida Romeu conductor&lt;br /&gt;Alexandre Gismonti guitar&lt;br /&gt;&lt;a href="http://apresthestorm.blogspot.com/search/label/Egberto%20Gosmonti"&gt;Egberto Gismonti&lt;/a&gt; guitar&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tracklist:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;CD 1: SERTÕES VEREDAS I-VII –&lt;br /&gt;Tributo à miscigenação&lt;br /&gt;&lt;br /&gt;CD 2: DUETOS DE VIOLÕES – Guitar Duets&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Recorded August 2006 and April/May 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;ECM 2082&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=VJJ9IBLA"&gt;Download CD 1&lt;/a&gt;&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=RQ6U6WGH"&gt;Download CD 2&lt;/a&gt;&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/Saudacoes-Egberto-Gismonti/dp/B002647WHC"&gt;Purchase on Amazon&lt;/a&gt;&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;a href="http://ecm-records.com/Catalogue/ECM/2000/2082.php"&gt;Purchase on ECM Records&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3498416690746050101-3112249035643169232?l=apresthestorm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://apresthestorm.blogspot.com/feeds/3112249035643169232/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://apresthestorm.blogspot.com/2009/07/egberto-gismonti-saudacoes.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/3112249035643169232'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/3112249035643169232'/><link rel='alternate' type='text/html' href='http://apresthestorm.blogspot.com/2009/07/egberto-gismonti-saudacoes.html' title='Egberto Gismonti - Saudações'/><author><name>EverlastJazz</name><uri>http://www.blogger.com/profile/10400010088615306012</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_Hx6eUMWXMNc/S_cjCJGZJFI/AAAAAAAAA0s/rbw4SsSkoNg/S220/DSC01785.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Hx6eUMWXMNc/SlTaRXkgoKI/AAAAAAAAAwM/Ipq_kZYK_k4/s72-c/gismonti.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3498416690746050101.post-8278124824696615679</id><published>2009-07-03T11:02:00.000-07:00</published><updated>2009-07-03T11:13:11.012-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Leos Janáček'/><category scheme='http://www.blogger.com/atom/ns#' term='András Schiff'/><title type='text'>András Schiff - Leos Janáček "A Recollection"</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Hx6eUMWXMNc/Sk5JKCp2QkI/AAAAAAAAAwA/kF7cERAgKQ4/s1600-h/janacekschiff.jpg"&gt;&lt;img style="cursor: pointer; width: 399px; height: 400px;" src="http://3.bp.blogspot.com/_Hx6eUMWXMNc/Sk5JKCp2QkI/AAAAAAAAAwA/kF7cERAgKQ4/s400/janacekschiff.jpg" alt="" id="BLOGGER_PHOTO_ID_5354297443850011202" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MP3 320 kbps / 168 Mb / Scans&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The peerless András Schiff in his first recital recording of Janacek's piano music. The "story-telling " piano pieces chosen by Schiff can be closely related to Bartók's "Mikrokosmos" and have a similarly timeless appeal. As writer Rob Cowan notes, "No matter how many times you listen to these gems, the sum effect of emotional engagement, wonderment and love of life is as lasting as one's admiration for the music's miniaturist construction. They are truly 'the world in a grain of sand'." (ECM Records)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tracklist:&lt;/span&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;In the Mist&lt;/li&gt;&lt;li&gt; Sonata 1.X.1905&lt;/li&gt;&lt;li&gt; On an overgrown path I&lt;/li&gt;&lt;li&gt; On an overgrown path II&lt;/li&gt;&lt;li&gt; On an overgrown path (Paralipomena), A recollection&lt;/li&gt;&lt;/ol&gt;&lt;span style="font-style: italic;"&gt;Recorded January 2000&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);" class="lauftext"&gt;ECM New Series 1736&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=61NLJX0Z"&gt;&lt;span style="font-weight: bold;"&gt;Download&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/Leos-Jan%C3%A1cek-Recollection-Janacek/dp/B000059X1W"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on Amazon&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/Catalogue/New_Series/1700/1736.php"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on ECM Records&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3498416690746050101-8278124824696615679?l=apresthestorm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://apresthestorm.blogspot.com/feeds/8278124824696615679/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://apresthestorm.blogspot.com/2009/07/andras-schiff-leos-janacek-recollection.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/8278124824696615679'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/8278124824696615679'/><link rel='alternate' type='text/html' href='http://apresthestorm.blogspot.com/2009/07/andras-schiff-leos-janacek-recollection.html' title='András Schiff - Leos Janáček &quot;A Recollection&quot;'/><author><name>EverlastJazz</name><uri>http://www.blogger.com/profile/10400010088615306012</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_Hx6eUMWXMNc/S_cjCJGZJFI/AAAAAAAAA0s/rbw4SsSkoNg/S220/DSC01785.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Hx6eUMWXMNc/Sk5JKCp2QkI/AAAAAAAAAwA/kF7cERAgKQ4/s72-c/janacekschiff.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3498416690746050101.post-209129306170516896</id><published>2009-07-01T22:17:00.000-07:00</published><updated>2009-07-02T06:48:54.894-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Vassilis Tsabropoulos'/><title type='text'>Vassilis Tsabropoulos - Akroasis</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_Hx6eUMWXMNc/SkxD1Q0WoKI/AAAAAAAAAv4/pV6YY621Ucc/s1600-h/akroasis.jpg"&gt;&lt;img style="cursor: pointer; width: 399px; height: 400px;" src="http://2.bp.blogspot.com/_Hx6eUMWXMNc/SkxD1Q0WoKI/AAAAAAAAAv4/pV6YY621Ucc/s400/akroasis.jpg" alt="" id="BLOGGER_PHOTO_ID_5353728639363358882" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;FLAC / 130 Mb / Scans&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;Greek pianist Vassilis Tsabropoulos in his first solo album, with a fascinating programme of adaptations of Byzantine hymns and improvisations inspired by this ancient material. The hymns here - played with great respect as well as a poetic freedom - are pieces traditionally sung during the Easter period in Orthodox churches. (ECM Records)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tracklist:&lt;/span&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;Hymn I, Axion Esti&lt;/li&gt;&lt;li&gt; Hymn II, Zoi en tafo&lt;/li&gt;&lt;li&gt; Hymn III, Ek nyktos&lt;/li&gt;&lt;li&gt; The Secret Garden&lt;/li&gt;&lt;li&gt; Hymn IV, Nymphios&lt;/li&gt;&lt;li&gt; Interlude&lt;/li&gt;&lt;li&gt; Hymn V&lt;/li&gt;&lt;li&gt; Anastasis&lt;/li&gt;&lt;li&gt; Prayer&lt;/li&gt;&lt;/ol&gt;&lt;span style="font-style: italic;"&gt;Recorded March 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);" class="lauftext"&gt;ECM 1737&lt;/span&gt;   &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=RFN9L0BK"&gt;Download&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.co.uk/Akroasis-Byzantine-Traditional/dp/B00008RWR8"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on Amazon&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/Catalogue/ECM/1700/1737.php"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on ECM Records&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3498416690746050101-209129306170516896?l=apresthestorm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://apresthestorm.blogspot.com/feeds/209129306170516896/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://apresthestorm.blogspot.com/2009/07/vassilis-tsabropoulos-akroasis.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/209129306170516896'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/209129306170516896'/><link rel='alternate' type='text/html' href='http://apresthestorm.blogspot.com/2009/07/vassilis-tsabropoulos-akroasis.html' title='Vassilis Tsabropoulos - Akroasis'/><author><name>EverlastJazz</name><uri>http://www.blogger.com/profile/10400010088615306012</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_Hx6eUMWXMNc/S_cjCJGZJFI/AAAAAAAAA0s/rbw4SsSkoNg/S220/DSC01785.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Hx6eUMWXMNc/SkxD1Q0WoKI/AAAAAAAAAv4/pV6YY621Ucc/s72-c/akroasis.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3498416690746050101.post-1722205378992512236</id><published>2009-07-01T09:52:00.000-07:00</published><updated>2009-07-01T10:01:39.551-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tigran Mansurian'/><title type='text'>Tigran Mansurian - Ars Poetica</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_Hx6eUMWXMNc/SkuVDmDwycI/AAAAAAAAAvw/T5o-RgBqUgk/s1600-h/arspoetica.jpg"&gt;&lt;img style="cursor: pointer; width: 399px; height: 400px;" src="http://4.bp.blogspot.com/_Hx6eUMWXMNc/SkuVDmDwycI/AAAAAAAAAvw/T5o-RgBqUgk/s400/arspoetica.jpg" alt="" id="BLOGGER_PHOTO_ID_5353536471048440258" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MP3 320 kbps / 110 Mb / Scans&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;In ECM's Ars Poetica, Armenian composer Tigran Mansurian pays tribute to poet Yeghishe Charents, a major Armenian versifier of the early twentieth century whose life was extinguished early in the "Great Terror" under Stalin. The ECM disc of Ars Poetica makes an even better case for Charents as poet than one is likely to find in an English-language bookstore; the notes contain texts in English for the 10 poems included in Mansurian's vocal concerto in addition to a concise, but appreciative biographical sketch for the poet -- none is provided for the composer.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;However, it is the music that makes or breaks the release, and in this respect Ars Poetica ranks very highly, as it is gorgeous, emotive, and very deeply felt a cappella choral music. Mansurian states that while he had known Charents' poetry since its publication after Stalin's death, he had not considered setting it to music until "the music itself yearned to be composed." This is the aspect of Ars Poetica that comes through; the music is fully the product of inspiration, and it flows very naturally from Charents' texts to the voices of the Armenian Chamber Choir as led by Robert Mlkeyan. The recording, made live at the Saghmosavank Monastery in Armenia, is beautifully engineered and does not allow the choir to get lost in the ambience of the hall. In this instance, Mansurian's compositional style is a little closer to that of Hugo Distler than that of, say, Arvo Pärt, and Mansurian does not shy away from representing conflict in his music when the texts, for example "Anxiety," call for it. Nonetheless, the pieces "Night" and "And Silence Descends" are very moving and compositionally assured settings -- the nut is fully cracked here, and those who appreciate choral music will find the whole of Ars Poetica very rewarding listening. Those who insist on "music by the yard" might find its 47-minute running time a tad stingy, but the idea of limiting the disc to this single, very long unaccompanied choral work seems sensible -- what could you add to it to make it more meaningful? (Uncle Dave Lewis - All Music Guide)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Armenian Chamber Choir&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Robert Mlkeyan conductor&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tracklist:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Part I&lt;br /&gt;Three Night Songs&lt;br /&gt;Night&lt;br /&gt;Insomnia&lt;br /&gt;Anxiety&lt;br /&gt;&lt;br /&gt;Part II&lt;br /&gt;Three Portraits of Women&lt;br /&gt;Your Enamel Profile&lt;br /&gt;The Rainbow&lt;br /&gt;Manon Lescaut&lt;br /&gt;&lt;br /&gt;Part III&lt;br /&gt;Three Autumn Songs&lt;br /&gt;The Wind&lt;br /&gt;Japanes Tankas&lt;br /&gt;Song of Autumn&lt;br /&gt;&lt;br /&gt;Part IV&lt;br /&gt;And Silence Descends&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Recorded June 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);" class="lauftext"&gt;ECM New Series 1895&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=MDJ73HIN"&gt;&lt;span style="font-weight: bold;"&gt;Download&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/Tigran-Mansurian-Poetica-Gor-Harutyunyan/dp/B000EHRXF4"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on Amazon&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/Catalogue/New_Series/1800/1895.php"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on ECM Records&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3498416690746050101-1722205378992512236?l=apresthestorm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://apresthestorm.blogspot.com/feeds/1722205378992512236/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://apresthestorm.blogspot.com/2009/07/tigran-mansurian-ars-poetica.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/1722205378992512236'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/1722205378992512236'/><link rel='alternate' type='text/html' href='http://apresthestorm.blogspot.com/2009/07/tigran-mansurian-ars-poetica.html' title='Tigran Mansurian - Ars Poetica'/><author><name>EverlastJazz</name><uri>http://www.blogger.com/profile/10400010088615306012</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_Hx6eUMWXMNc/S_cjCJGZJFI/AAAAAAAAA0s/rbw4SsSkoNg/S220/DSC01785.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Hx6eUMWXMNc/SkuVDmDwycI/AAAAAAAAAvw/T5o-RgBqUgk/s72-c/arspoetica.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3498416690746050101.post-7331778012166171013</id><published>2009-06-30T20:23:00.000-07:00</published><updated>2009-07-01T10:10:36.093-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Keith Jarrett'/><category scheme='http://www.blogger.com/atom/ns#' term='Jan Garbarek'/><title type='text'>Keith Jarrett &amp; Jan Garbarek - Personal Mountains</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_Hx6eUMWXMNc/SkrXpQK46-I/AAAAAAAAAvo/EQc0eSJDSiQ/s1600-h/keith_jarrett_personal_mountains_bk_01.jpg"&gt;&lt;img style="cursor: pointer; width: 399px; height: 400px;" src="http://2.bp.blogspot.com/_Hx6eUMWXMNc/SkrXpQK46-I/AAAAAAAAAvo/EQc0eSJDSiQ/s400/keith_jarrett_personal_mountains_bk_01.jpg" alt="" id="BLOGGER_PHOTO_ID_5353328210798504930" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;!-- künstliche verlängerung der Besetzungsliste --&gt; &lt;!-- /künstliche verlängerung der Besetzungsliste --&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;In the late 1970s, Keith Jarrett was leading both an American quartet and a European one, though the designations referred strictly to the makeup of the groups, not to the venues they played. These 1979 recordings by the European band were made during a tour of Japan. On five of the pianist's tunes, there's exceptional group interaction between Jarrett and Scandinavians Jan Garbarek, on tenor and soprano sax, Palle Danielsson on bass, and Jon Christensen on drums. That interplay shows to best advantage in the extended performances here, the turbulent title tune and the moody, dissonant "Oasis," the group's individual voices coming together in tense, vibrant dialogue. The funky "Late Night Willie" takes full advantage of Garbarek's R&amp;amp;B sound, while Jarrett shines on the luminous ballad "Prism" and the hymnlike simplicity of "Innocence." Personal Mountains is as well sustained as the group's studio set, My Song, or the contemporaneous Nude Ants from the Village Vanguard. (Stuart Broomer - Amazon.com)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="lauftext"&gt;&lt;span style="font-style: italic;"&gt;&lt;a href="http://apresthestorm.blogspot.com/search/label/Keith%20Jarrett"&gt;Keith Jarrett&lt;/a&gt; piano, percussion&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;a href="http://apresthestorm.blogspot.com/search/label/Jan%20Garbarek"&gt;Jan Garbarek&lt;/a&gt; tenor and soprano saxophones&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Palle Danielsson bass&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Jon Christensen drums&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tracklist:&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;ol&gt;&lt;li&gt; Personal Mountains&lt;/li&gt;&lt;li&gt;Prism&lt;/li&gt;&lt;li&gt;Oasis&lt;/li&gt;&lt;li&gt;Innocence&lt;/li&gt;&lt;li&gt;Late Night Willie&lt;/li&gt;&lt;/ol&gt;&lt;span style="font-style: italic;"&gt;Recorded April 1979&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="lauftext"&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;ECM 1382&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=E8MB2MYL"&gt;&lt;span style="font-weight: bold;"&gt;Download&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/Personal-Mountains-Keith-Jarrett-Garbarek/dp/B000008BD6"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on Amazon&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/Catalogue/ECM/1300/1382.php"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on ECM Records&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3498416690746050101-7331778012166171013?l=apresthestorm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://apresthestorm.blogspot.com/feeds/7331778012166171013/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://apresthestorm.blogspot.com/2009/06/keith-jarrett-jan-garbarek-personal.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/7331778012166171013'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/7331778012166171013'/><link rel='alternate' type='text/html' href='http://apresthestorm.blogspot.com/2009/06/keith-jarrett-jan-garbarek-personal.html' title='Keith Jarrett &amp; Jan Garbarek - Personal Mountains'/><author><name>EverlastJazz</name><uri>http://www.blogger.com/profile/10400010088615306012</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_Hx6eUMWXMNc/S_cjCJGZJFI/AAAAAAAAA0s/rbw4SsSkoNg/S220/DSC01785.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Hx6eUMWXMNc/SkrXpQK46-I/AAAAAAAAAvo/EQc0eSJDSiQ/s72-c/keith_jarrett_personal_mountains_bk_01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3498416690746050101.post-3407182514302649252</id><published>2009-06-28T23:37:00.000-07:00</published><updated>2009-07-01T10:10:01.414-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Steve Kuhn'/><title type='text'>Steve Kuhn Trio - Mostly Coltrane</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_Hx6eUMWXMNc/SkhhpyNT1oI/AAAAAAAAAvg/F-SmIabHryU/s1600-h/steve+kuhn+coltrane.jpg"&gt;&lt;img style="cursor: pointer; width: 400px; height: 400px;" src="http://1.bp.blogspot.com/_Hx6eUMWXMNc/SkhhpyNT1oI/AAAAAAAAAvg/F-SmIabHryU/s400/steve+kuhn+coltrane.jpg" alt="" id="BLOGGER_PHOTO_ID_5352635527609964162" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MP3 320 Mbps / 150 Mb / Scans&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;A recording that pays tribute to a musician of towering importance – and for Steve Kuhn an album of powerful memories. For two months in 1960, Kuhn, then just 21 years old, was the pianist in John Coltrane’s quartet: an unforgettable experience for a young musician, to embark each night into jazz of such torrential emotional intensity. Half-a-century later, joined by a team of gifted collaborators playing at the top of their form, Kuhn rechannels the energies of the era in an album of astonishing invention and wild beauty. Kuhn and Joe Lovano improvise gloriously together, riding the surging waves of Joey Baron’s polyrhythms, in a programme of tunes written by or strongly associated with Coltrane. Tracks include “Welcome”, “Song of Praise”, “Central Park West”, “Spiritual” and more. Recorded December 2008 at New York’s Avatar Studio. (ECM Records)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Joe Lovano tenor saxophone, tarogato&lt;/span&gt; &lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;a href="http://apresthestorm.blogspot.com/search/label/Steve%20Kuhn"&gt;Steve Kuhn&lt;/a&gt; piano&lt;/span&gt; &lt;span style="font-style: italic;"&gt;&lt;br /&gt;David Finck double-bass&lt;/span&gt; &lt;span style="font-style: italic;"&gt;&lt;br /&gt;Joey Baron drums&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tracklist:&lt;/span&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;Welcome&lt;/li&gt;&lt;li&gt; Song of Praise&lt;/li&gt;&lt;li&gt; Crescent&lt;/li&gt;&lt;li&gt; I Want To Talk About You&lt;/li&gt;&lt;li&gt; The Night Has A Thousand Eyes&lt;/li&gt;&lt;li&gt; Living Space&lt;/li&gt;&lt;li&gt; Central Park West&lt;/li&gt;&lt;li&gt; Like Sonny&lt;/li&gt;&lt;li&gt; With Gratitude&lt;/li&gt;&lt;li&gt; Configuration&lt;/li&gt;&lt;li&gt; Jimmy’s Mode&lt;/li&gt;&lt;li&gt; Spiritual&lt;/li&gt;&lt;li&gt; Trance&lt;/li&gt;&lt;/ol&gt;&lt;span style="font-style: italic;"&gt;Recorded December 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);" class="lauftext"&gt;ECM 2099&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=UP1UYMCN"&gt;Download&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/Mostly-Coltrane-Steve-Kuhn/dp/B0025T65L2"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on Amazon&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/Catalogue/ECM/2000/2099.php?"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on ECM Records&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3498416690746050101-3407182514302649252?l=apresthestorm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://apresthestorm.blogspot.com/feeds/3407182514302649252/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://apresthestorm.blogspot.com/2009/06/steve-kuhn-trio-mostly-coltrane.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/3407182514302649252'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/3407182514302649252'/><link rel='alternate' type='text/html' href='http://apresthestorm.blogspot.com/2009/06/steve-kuhn-trio-mostly-coltrane.html' title='Steve Kuhn Trio - Mostly Coltrane'/><author><name>EverlastJazz</name><uri>http://www.blogger.com/profile/10400010088615306012</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_Hx6eUMWXMNc/S_cjCJGZJFI/AAAAAAAAA0s/rbw4SsSkoNg/S220/DSC01785.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Hx6eUMWXMNc/SkhhpyNT1oI/AAAAAAAAAvg/F-SmIabHryU/s72-c/steve+kuhn+coltrane.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3498416690746050101.post-5560804614672249570</id><published>2009-06-28T09:14:00.001-07:00</published><updated>2009-06-28T09:32:13.184-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Arvo Pärt'/><title type='text'>Arvo Pärt - In Principio</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_Hx6eUMWXMNc/SkeW8KtDegI/AAAAAAAAAvY/sCN4gZQdJkM/s1600-h/inprincipio.jpg"&gt;&lt;img style="cursor: pointer; width: 400px; height: 389px;" src="http://1.bp.blogspot.com/_Hx6eUMWXMNc/SkeW8KtDegI/AAAAAAAAAvY/sCN4gZQdJkM/s400/inprincipio.jpg" alt="" id="BLOGGER_PHOTO_ID_5352412642562767362" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;FLAC / 282 Mb / Scans (booklet)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;In principio (2003) for mixed choir and orchestra&lt;/span&gt;&lt;span style="font-style: italic;"&gt;:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;"His music makes the basic human need for a link between aesthetics, ethics and spirituality clear and perceivable – a need so often subordinated to politics and economics in our society." Thus the words with which Arvo Pärt was awarded the International Bridge Prize of the twin cities Görlitz and Zgorzelec in 2007. His new CD, ‘In Principio’, demonstrates the extent to which his more recent music manifests this very link. Twenty-five years ago ECM launched its New Series with Pärt’s Tabula Rasa. Now its twelfth Pärt album, again produced by Manfred Eicher, presents six compositions of various lengths spanning a period of almost ten years. Four of the pieces appear here for the first time on disc. The meticulous performances were recorded by Estonian ensembles under the baton of Tōnu Kaljuste, a conductor well-versed in Pärt’s music for many years, and accompanied by the composer every step of the way.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt; The range is wide: Pärt creates masterly syntheses of the expressive resources he has pursued ever since his personal style emerged in the mid-1970s. The intimate and the monumental co-exist; streams of chords flow towards dramatic eruptions. The inflection of his pieces is always based on their underlying emotive significance. In Principio is a five-movement setting of the opening verses of the Gospel of John: "In the beginning was the Word". The elegiac orchestral piece "La Sindone" conjures up the image of Christ on the Shroud of Turin. "Cecilia, vergine romana", written to celebrate the sacred year 2000 in Rome, is devoted to the martyrdom of the patron saint of music. A serene plea for peace, memories of a deceased friend and contemplation of the ‘peaks and troughs’ of life: these are the emotional way-stations of the three relatively short pieces here, encapsulating the magic of Pärt’s music.&lt;/span&gt;&lt;span style="font-style: italic;"&gt; (ECM Records)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Estonian Philharmonic Chamber Choir&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Estonian National Symphony Orchestra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Tallinn Chamber Orchestra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Tõnu Kaljuste conductor&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tracklist:&lt;/span&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;I. In principio erat Verbum  (John 1:1–5)&lt;/li&gt;&lt;li&gt;II. Fuit homo missus a Deo  (John 1:6–8)&lt;/li&gt;&lt;li&gt;III. Erat lux vera (John 1:9–11)&lt;/li&gt;&lt;li&gt;IV. Quotquot autem acceperunt sum  (John 1:12–13)&lt;/li&gt;&lt;li&gt;V. Et Verbum caro factum est  (John 1:14)&lt;/li&gt;&lt;li&gt;La Sindone (2006) for orchestra&lt;/li&gt;&lt;li&gt;Cecilia, vergine romana (2000, rev. 2002) for mixed choir and orchestra&lt;/li&gt;&lt;li&gt;Da Pacem Domine (2004/07) for mixed choir and orchestra&lt;/li&gt;&lt;li&gt;Mein Weg (1989/99, rev. 2000) for 14 strings and percussion&lt;/li&gt;&lt;li&gt;Für Lennart in memoriam (2006) for string orchestra&lt;/li&gt;&lt;/ol&gt;&lt;b&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://player.ecmrecords.com/arvopaert" target="new"&gt;&lt;b&gt;ECMPlayer for "In Principio"&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style="font-style: italic;"&gt;Recorded June 2008 and May 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);" class="lauftext"&gt;ECM New Series 2050&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=16EU4I61"&gt;&lt;span style="font-weight: bold;"&gt;Download&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/Principio-Arvo-Part/dp/B001O2BR5K"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on Amazon&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/Catalogue/New_Series/2000/2050.php"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on ECM Records&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3498416690746050101-5560804614672249570?l=apresthestorm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://apresthestorm.blogspot.com/feeds/5560804614672249570/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://apresthestorm.blogspot.com/2009/06/arvo-part-in-principio.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/5560804614672249570'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/5560804614672249570'/><link rel='alternate' type='text/html' href='http://apresthestorm.blogspot.com/2009/06/arvo-part-in-principio.html' title='Arvo Pärt - In Principio'/><author><name>EverlastJazz</name><uri>http://www.blogger.com/profile/10400010088615306012</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_Hx6eUMWXMNc/S_cjCJGZJFI/AAAAAAAAA0s/rbw4SsSkoNg/S220/DSC01785.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Hx6eUMWXMNc/SkeW8KtDegI/AAAAAAAAAvY/sCN4gZQdJkM/s72-c/inprincipio.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3498416690746050101.post-4913634534829072203</id><published>2009-06-27T07:12:00.000-07:00</published><updated>2009-06-28T09:26:19.717-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Alexei Lubimov'/><title type='text'>Alexei Lubimov - Der Bote</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_Hx6eUMWXMNc/SkYpeYbHRjI/AAAAAAAAAvM/eoYn5sb3cfk/s1600-h/alexei+der+bote.jpg"&gt;&lt;img style="cursor: pointer; width: 400px; height: 396px;" src="http://1.bp.blogspot.com/_Hx6eUMWXMNc/SkYpeYbHRjI/AAAAAAAAAvM/eoYn5sb3cfk/s400/alexei+der+bote.jpg" alt="" id="BLOGGER_PHOTO_ID_5352010809105401394" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MP3 320 kbps / 130 Mb / Scans&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Der Bote - Elegies for Piano&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Describing his recital as a "quiet meditation", Alexi Lubimov brings  together music of three centuries. Each piece defines its own atmosphere,  and the biographies of the featured composers could hardly be more  different, and yet there is an undeniable "kinship" between the  compositions. Lubimov has chosen a programme that associates,  connects and contrasts ten works that are profoundly elegiac in nature.     (ECM Records)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tracklist:&lt;/span&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;Carl Philipp Emanuel Bach: Fantasie für Klavier fis-Moll&lt;/li&gt;&lt;li&gt; John Cage: In a landscape&lt;/li&gt;&lt;li&gt; Tigran Mansurian: Nostalgia&lt;/li&gt;&lt;li&gt; Franz Liszt: Abschied&lt;/li&gt;&lt;li&gt; Michail Glinka: Nocturne f-Moll ""La séparation""&lt;/li&gt;&lt;li&gt; Frédéric Chopin: Prélude cis-Moll op. 45&lt;/li&gt;&lt;li&gt; Valentin Silvestrov: Elegie&lt;/li&gt;&lt;li&gt; Claude Debussy: Elégie&lt;/li&gt;&lt;li&gt; Béla Bartók: Vier Klagelieder op. 9a, Nr. 1&lt;/li&gt;&lt;li&gt; Valentin Silvestrov: Der Bote&lt;/li&gt;&lt;/ol&gt;&lt;span style="font-style: italic;"&gt;Recorded December 2000&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);" class="lauftext"&gt;ECM New Series 1771&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=3B9WMHJ2"&gt;&lt;span style="font-weight: bold;"&gt;Download&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.ca/Bote-Elegies-Pno-Alexei-Lubimov/dp/B0000646WZ"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on Amazon&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/Catalogue/New_Series/1700/1771.php"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on ECM Records&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3498416690746050101-4913634534829072203?l=apresthestorm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://apresthestorm.blogspot.com/feeds/4913634534829072203/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://apresthestorm.blogspot.com/2009/06/alexei-lubimov-der-bote.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/4913634534829072203'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/4913634534829072203'/><link rel='alternate' type='text/html' href='http://apresthestorm.blogspot.com/2009/06/alexei-lubimov-der-bote.html' title='Alexei Lubimov - Der Bote'/><author><name>EverlastJazz</name><uri>http://www.blogger.com/profile/10400010088615306012</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_Hx6eUMWXMNc/S_cjCJGZJFI/AAAAAAAAA0s/rbw4SsSkoNg/S220/DSC01785.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Hx6eUMWXMNc/SkYpeYbHRjI/AAAAAAAAAvM/eoYn5sb3cfk/s72-c/alexei+der+bote.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3498416690746050101.post-8613959889135649815</id><published>2009-06-26T08:00:00.000-07:00</published><updated>2009-06-28T09:26:42.509-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Giya Kancheli'/><title type='text'>Giya Kancheli - Magnum Ignotum</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_Hx6eUMWXMNc/SkTjTYpY5uI/AAAAAAAAAqU/eFXD1cLaeWg/s1600-h/magnum+ignotum.jpg"&gt;&lt;img style="cursor: pointer; width: 398px; height: 400px;" src="http://4.bp.blogspot.com/_Hx6eUMWXMNc/SkTjTYpY5uI/AAAAAAAAAqU/eFXD1cLaeWg/s400/magnum+ignotum.jpg" alt="" id="BLOGGER_PHOTO_ID_5351652179396060898" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MP3 320 kbps / 107 Mb / Scans&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;The great Rostropovich puts his cello at the service of old friend Giya Kancheli: "I love this composer for his independence," Rostropovich says. "Olivier Messiaen revealed for me the limitlessness and endlessness of time, and the same is true for Kancheli." These premiere recordings feature inspired performances by the Royal Flanders Philharmonic Orchestra under the direction of Jansug Kakhidze. Essential listening. If you like Magnum Ignotum, then you'd probably like: Giya Kancheli, Lament Giya Kancheli, Exil Giya Kancheli, Abii ne Viderem Giya Kancheli, Trauerfarbenes Land Giya Kancheli, Vom Winde beweint. (ECM Records)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Koninklijk Philharmonic Orchestra van Vlaanderen,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Jansug Kakhidze (conductor) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Mstislav Rostropovich (violoncello)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tracklist:&lt;/span&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;Simi&lt;/li&gt;&lt;li&gt;Magnum Ignotum&lt;/li&gt;&lt;/ol&gt;&lt;span style="font-style: italic;"&gt;Recorded December 1997&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;ECM New Series 1669&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-weight: bold;" href="http://www.megaupload.com/?d=VOXP63G6"&gt;Download&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-weight: bold;" href="http://www.amazon.com/Kancheli-Magnum-Ignotum-Mstislav-Rostropovich/dp/B00004KDE6"&gt;Purchase on Amazon&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.ecmrecords.com/Catalogue/New_Series/1600/1669.php"&gt;&lt;span style="font-weight: bold;"&gt;Purchase on ECM Records&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3498416690746050101-8613959889135649815?l=apresthestorm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://apresthestorm.blogspot.com/feeds/8613959889135649815/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://apresthestorm.blogspot.com/2009/06/giya-kancheli-magnum-ignotum.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/8613959889135649815'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/8613959889135649815'/><link rel='alternate' type='text/html' href='http://apresthestorm.blogspot.com/2009/06/giya-kancheli-magnum-ignotum.html' title='Giya Kancheli - Magnum Ignotum'/><author><name>EverlastJazz</name><uri>http://www.blogger.com/profile/10400010088615306012</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_Hx6eUMWXMNc/S_cjCJGZJFI/AAAAAAAAA0s/rbw4SsSkoNg/S220/DSC01785.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Hx6eUMWXMNc/SkTjTYpY5uI/AAAAAAAAAqU/eFXD1cLaeWg/s72-c/magnum+ignotum.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3498416690746050101.post-7494373111316653531</id><published>2009-06-18T15:09:00.000-07:00</published><updated>2009-07-01T10:09:05.639-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Steve Kuhn'/><category scheme='http://www.blogger.com/atom/ns#' term='David Darling'/><category scheme='http://www.blogger.com/atom/ns#' term='Jan Garbarek'/><title type='text'>David Darling - Cycles</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_Hx6eUMWXMNc/Sjq__iZpf8I/AAAAAAAAApI/ZXLDzokQ7FI/s1600-h/cycles.jpg"&gt;&lt;img style="cursor: pointer; width: 400px; height: 394px;" src="http://4.bp.blogspot.com/_Hx6eUMWXMNc/Sjq__iZpf8I/AAAAAAAAApI/ZXLDzokQ7FI/s400/cycles.jpg" alt="" id="BLOGGER_PHOTO_ID_5348798605742931906" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;FLAC / 208 Mb / Scans&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;i&gt;&lt;a href="http://apresthestorm.blogspot.com/search/label/David%20Darling"&gt;David Darling&lt;/a&gt;: cello, 8-string electric cello&lt;br /&gt;Collin Walcott: sitar, tabla, percussion&lt;br /&gt;&lt;a href="http://apresthestorm.blogspot.com/search/label/Steve%20Kuhn"&gt;Steve Kuhn&lt;/a&gt;: piano&lt;br /&gt;&lt;a href="http://apresthestorm.blogspot.com/search/label/Jan%20Garbarek"&gt;Jan Garbarek&lt;/a&gt;: tenor and soprano saxophones&lt;br /&gt;Arild Andersen: bass&lt;br /&gt;Oscar Castro-Neves: guitar&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Tracklist:&lt;/b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;ol&gt;&lt;li&gt;Cycle Song&lt;/li&gt;&lt;li&gt; Cycle One: Namasté&lt;/li&gt;&lt;li&gt; Fly&lt;/li&gt;&lt;li&gt; Ode&lt;/li&gt;&lt;li&gt; Cycle Two: Trio&lt;/li&gt;&lt;li&gt; Cycle Three: Quintet And Coda&lt;/li&gt;&lt;li&gt; Jessica's Sunwheel&lt;/li&gt;&lt;/ol&gt;&lt;span style="font-style: italic;"&gt;Recorded November 1981&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;ECM 1219&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-weight: bold;" href="http://www.megaupload.com/?d=2KCIFUF9"&gt;Download&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-weight: bold;" href="http://www.amazon.com/Cycles-David-Darling/dp/B000025YZY/ref=sr_1_22?ie=UTF8&amp;amp;s=music&amp;amp;qid=1245363520&amp;amp;sr=8-22"&gt;Purchase on Amazon&lt;/a&gt;&lt;br /&gt;&lt;a style="font-weight: bold;" href="http://www.ecmrecords.com/Catalogue/ECM/1200/1219.php"&gt;Purchase on ECM Records&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3498416690746050101-7494373111316653531?l=apresthestorm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://apresthestorm.blogspot.com/feeds/7494373111316653531/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://apresthestorm.blogspot.com/2009/06/david-darling-cycles-ecm-1219-flac.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/7494373111316653531'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/7494373111316653531'/><link rel='alternate' type='text/html' href='http://apresthestorm.blogspot.com/2009/06/david-darling-cycles-ecm-1219-flac.html' title='David Darling - Cycles'/><author><name>EverlastJazz</name><uri>http://www.blogger.com/profile/10400010088615306012</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_Hx6eUMWXMNc/S_cjCJGZJFI/AAAAAAAAA0s/rbw4SsSkoNg/S220/DSC01785.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Hx6eUMWXMNc/Sjq__iZpf8I/AAAAAAAAApI/ZXLDzokQ7FI/s72-c/cycles.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3498416690746050101.post-4223902811745155802</id><published>2009-05-10T15:07:00.001-07:00</published><updated>2009-06-18T15:48:36.214-07:00</updated><title type='text'>Nuevo blog</title><content type='html'>Bienvenidos, se sigue del anterior blog http://everlastjazz.blogspot.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3498416690746050101-4223902811745155802?l=apresthestorm.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://apresthestorm.blogspot.com/feeds/4223902811745155802/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://apresthestorm.blogspot.com/2009/05/blog-post.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/4223902811745155802'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3498416690746050101/posts/default/4223902811745155802'/><link rel='alternate' type='text/html' href='http://apresthestorm.blogspot.com/2009/05/blog-post.html' title='Nuevo blog'/><author><name>EverlastJazz</name><uri>http://www.blogger.com/profile/10400010088615306012</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://3.bp.blogspot.com/_Hx6eUMWXMNc/S_cjCJGZJFI/AAAAAAAAA0s/rbw4SsSkoNg/S220/DSC01785.JPG'/></author><thr:total>0</thr:total></entry></feed>
